A writer gets into a rehab where he meets a lot of successful men who destroyed their lives with alcohol.

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In a dual role, Baby Peggy plays the Morgan twins—one who lives with her wealthy parents, and her identical sibling, who is adopted by the impoverished owner of a small-gauge tourist train. Chaos erupts for all concerned when the chase for a lost coin and a case of mistaken identity fortuitously reunites the sisters.

A long time ago, in a certain village, a tired traveler was resting. His name was Nechipor. And then Nechipor saw in a dream how the girls gave him a box. And along the box there was a treble clef. He became the symbol of Nechiporovka. And the village was named in honor of its creator - Nechiporovka...

A western woman falls in love with a chinese prince. When she accompanies him to his homeland, strange things await her. Based on the operetta of the same name with music by Franz Lehár and libretto by Ludwig Herzer and Fritz Löhner-Beda.

A short film by John G. Avildsen.

Four songs from His Majesty Bhumibol Adulyadej's (also known as King Rama IX) royal songbook have now inspired four leading Thai directors to interpret their spirit and meaning into four short films.

The first story takes place in February 1945 in Budapest. In the basement of one of the houses, a platoon commander named Kapustin — a former circus performer — meets a Hungarian actor who doesn't speak Russian. Yet they quickly find a common language. The clown Karandash appears in the story. The second story is about a grandmother who didn’t like the circus, but went there for the sake of her grandson…

Set in the mid sixties and shot with more black than white, ‘SAD?’ is a dark ten minute film that explores the time that we spend alone watching television, and the good and sad effects it can have on you. The film has a timeless, forgotten feel about it, a study of a world and time detached from the norm, a life filled with both laughter and loneliness, escapism and escapees...

Filmed in Saigon in 1970, this documentary observes the effects of the Vietnam War on daily life away from the battlefield. Through the perspectives of three young American journalists, the film records encounters with street children, refugees, bar workers, and aid efforts shaped by the American presence in the city.